Last 17 November 2009, President Arroyo signed into law Republic Act No. 9775, which will be better known as the “Anti-Child Pornography Act of 2009″. This landmark legislation was lobbied for by children’s rights advocates, including the UNICEF. We have obtained from the House of Representatives website a copy of the bill as finally approved by both Houses of Congress last 13 October 2009, and will be reproducing the full text below. Should we find deviations between this copy and the final text of the law, we will correct our copy immediately. But before that, a few of my own personal observations on the new law.
One remarkable aspect about the new law is how extensively it involves the community in the enforcement of its provisions. As expected, ISPs and every Internet content host in the Philippines (yes, that includes bloggers) is required to take active measures to block child pornography, and even to report incidences thereof to the authorities. At the same time, internet cafes, schools, offices and service providers are mandated to “install blocking system or software to prevent transmittal of or access to the child pornography materials”. Also similarly engaged are any “[p]hoto developers, information technology (IT) professionals, credit card companies and banks, and any person who has direct knowledge of any child pornography activities”, they to report such child pornography activity within 7 days from discovery to the authorities, or else pay a fine. And there is that rather broad warning that “[i]t shall be unlawful for a person to knowingly facilitate the commission of any of the prohibited or unlawful acts under any of the provisions of this Act.” This extensive community involvement is laudable, though I can’t think of any other enforcement against criminalized activity in the Philippines that similarly engages by mandate of law so wide a swath of society
A child under the law is defined as 18 years old and below. Apart from the intuitive and urgently needed criminalization of pornographic acts involving real children, the law also classifies as child pornography a “digital image, computer image or computer-generated image that is indistinguishable from that of real children engaging in an explicit sexual activity”, and a “representation of a person who is, appears to be, or is represented as being a child, the dominant characteristic of which is the depiction, for a sexual purpose, of: the sexual organ or the anal region, or a representation thereof; or the breasts, or a representation of the breasts, of a female person.” The inclusion of virtual or 2-d representation of children had raised a howl among fans of Japanese “hentai”. (See Edward Baylon on Japanator and Anime News Network) Still, while the depiction of minors engaged in sexual activity in medium such as anime is considered pornographic and criminal, it would not necessarily follow that less blatant acts such as, for example, the depiction of breasts is necessarily criminal. With respect to “any representation of the sexual parts of a child”, the depiction must be “for primarily sexual purposes” in order to be considered pornographic; and in ascertaining “primarily sexual purposes”, the law requires to be taken into account, among others, “[t]he work taken as a whole imbued within its context, manner or presentation, intention and culture, lascivious, literary, artistic, political and scientific value.”
Nonetheless, the U.S. Supreme Court in 2002 took issue with parts of the U.S. Child Pornography Prevention Act of 1996 insofar as that law prohibited “sexually explicit images that appear to depict minors but were produced without using any real children”. In Ashcroft v. The Free Speech Coalition, 535 U.S. 234 (2002), the U.S. Supreme Court, voting 6-3-1, declared those restrictions as overbroad and unconstitutional. The following passage from Justice Anthony Kennedy’s majority opinion, which pointed out that such recent films as Baz Luhrmann’s Romeo & Juliet & American Beauty might be considered pornographic under the new law, are worth looking into:
The CPPA prohibits speech despite its serious literary, artistic, political, or scientific value. The statute proscribes the visual depiction of an idea–that of teenagers engaging in sexual activity–that is a fact of modern society and has been a theme in art and literature throughout the ages. Under the CPPA, images are prohibited so long as the persons appear to be under 18 years of age. This is higher than the legal age for marriage in many States, as well as the age at which persons may consent to sexual relations. It is, of course, undeniable that some youths engage in sexual activity before the legal age, either on their own inclination or because they are victims of sexual abuse.
Both themes–teenage sexual activity and the sexual abuse of children–have inspired countless literary works. William Shakespeare created the most famous pair of teenage lovers, one of whom is just 13 years of age. See Romeo and Juliet, act I, sc. 2, l. 9 (“She hath not seen the change of fourteen years”). In the drama, Shakespeare portrays the relationship as something splendid and innocent, but not juvenile. The work has inspired no less than 40 motion pictures, some of which suggest that the teenagers consummated their relationship. E.g., Romeo and Juliet (B. Luhrmann director, 1996). Shakespeare may not have written sexually explicit scenes for the Elizabethean audience, but were modern directors to adopt a less conventional approach, that fact alone would not compel the conclusion that the work was obscene.
Contemporary movies pursue similar themes. Last year’s Academy Awards featured the movie, Traffic, which was nominated for Best Picture. See Predictable and Less So, the Academy Award Contenders, N. Y. Times, Feb. 14, 2001, p. E11. The film portrays a teenager, identified as a 16-year-old, who becomes addicted to drugs. The viewer sees the degradation of her addiction, which in the end leads her to a filthy room to trade sex for drugs. The year before, American Beauty won the Academy Award for Best Picture. See “American Beauty” Tops the Oscars, N. Y. Times, Mar. 27, 2000, p. E1. In the course of the movie, a teenage girl engages in sexual relations with her teenage boyfriend, and another yields herself to the gratification of a middle-aged man. The film also contains a scene where, although the movie audience understands the act is not taking place, one character believes he is watching a teenage boy performing a sexual act on an older man.
Our society, like other cultures, has empathy and enduring fascination with the lives and destinies of the young. Art and literature express the vital interest we all have in the formative years we ourselves once knew, when wounds can be so grievous, disappointment so profound, and mistaken choices so tragic, but when moral acts and self-fulfillment are still in reach. Whether or not the films we mention violate the CPPA, they explore themes within the wide sweep of the statute’s prohibitions. If these films, or hundreds of others of lesser note that explore those subjects, contain a single graphic depiction of sexual activity within the statutory definition, the possessor of the film would be subject to severe punishment without inquiry into the work’s redeeming value. This is inconsistent with an essential First Amendment rule: The artistic merit of a work does not depend on the presence of a single explicit scene…
These concerns nonetheless should not detract from the very real evil which the new law prevents – the actual exploitation of real children through pornography. This new law might make the Internet less free-wheeling, but it makes society more safe.
Full text of the Anti-Child Pornography Act of 2009 after the jump. Read the rest of this entry »